WHEN WORDS DON’T MATTER
A selection of films from the festival is online: from 5 to 12 October immerse yourself in the music and images of the world’s leading silent film festival

• AJAL MINORASI / MINARET SMERTY [The Minaret of Death] (USSR (Uzbek SSR), 1925)
  Viacheslav Viskovskii; 52’
  Pianoforte: Günter Buchwald

• L’APPEL DU SANG (The Call of the Blood) (FR 1919)
  Louis Mercanton; 106′
  ATTRAVERSO LA SICILIA (IT, c.1920)
  Piero Marelli; 5’09”
  NELLA CONCA D’ORO (IT, c.1920)
  Piero Marelli; 6′
  Pianoforte: John Sweeney

• FOLLY OF VANITY (US 1925)
  Maurice Elvey, Henry Otto; 50’
  PEG O’ THE MOUNTED (US 1924)
  Alfred J. Goulding; 18’49”
  Pianoforte: Philip Carli

• FOR THE SOUL OF RAFAEL (US 1920)
  Harry Garson; 77′
  LA COURSE AUX POTIRONS (The Pumpkin Race) (FR 1908)
  Roméo Bosetti; 6’05’’
  LA MORT DE MOZART (Le Dernier Requiem de Mozart) (The Death of Mozart; Mozart’s Last Requiem) (FR 1909)
  Étienne Arnaud; 12′
  Pianoforte: José María Serralde Ruiz

• GIRL SHY (US 1924)
  Fred Newmeyer, Sam Taylor; 87’
  Musical accompaniment: Zerorchestra

• MOXOV QIZ [The Leper] (USSR (Uzbek SSR), 1928)
  Oleg Frelikh
  Pianoforte: Mauro Colombis

• SANTA (MX 1918)
  Luis G. Peredo; 44’04”
  ABISMOS (Náufragos de la vida) (MX 1931)
  Salvador Pruneda; 18′
  COMO POR UN TUBO O EL BOLETO DE LOTERÍA [Easily, or The Lottery Ticket] (CL 1919)
  José Bohr; 10’
  Pianoforte: José María Serralde Ruiz

• SAXOPHON-SUSI (Miss Saxophone) (DE 1928)
  Carl [Karel] Lamač; 83′
  PER LA MORALE (IT 1911)
  7’26”
  Pianoforte: Donald Sosin

• SONG. DIE LIEBE EINES ARMEN MENSCHENKINDES (Show Life) (DE/GB, 1928)
  Richard Eichberg; 102’
  Pianoforte: Stephen Horne

• LA VIRGEN DE LA CARIDAD (CU 1930)
  Ramón Peón; 70′
  APUROS DO GENÉSIO [Genésio’s Troubles] (BR 1940)
  3’40’’
  Pianoforte: Daan van den Hurk