LE MENSONGE DE JEAN LE MANCHOT
(Door bedrog voor een treurig leed bespaard)
Michel Carré (FR 1911)
Captain Reynaud is engaged to the pretty schoolteacher Jeanne. Following unrest in Yunnan province, Reynaud is called to fight in Indo-China. Two years go by, during which everyone waits for the captain to return to France, including his best friend, the one-armed Jean. In the meantime Reynaud’s old father goes completely blind. After Reynaud dies heroically during an attack, his belongings are sent home. While the others know the sad news, Reynaud’s blind father believes his son is back when he discovers his trunk has been brought in. In an attempt to protect the old man’s feelings Jean puts on his dear friend’s uniform, leading the father to believe that his son has returned from the front, having only lost an arm, and Jeanne and Jean are compelled to pledge their troth, joining hands in a silent alliance.
This is one of the few films starring the influential French stage actress Blanche Albane-Duhamel (born Blanche Alice Sistoli, 1886-1975), who was the wife of the acclaimed author Georges Duhamel (1884-1966) from 1909 until his death. She was greatly admired by André Gide and Jean Cocteau among others, as recalled by her husband in one of his books.
Elif Rongen-Kaynakçi
regia/dir, scen: Michel Carré.
cast: Adrien Caillard (Jacques Reynaud ), Paul Capellani (Jean le Manchot), Marie Ernestine Desclauzas (la madre/the mother), Charles Mosnier (il padre/the father), Blanche Albane (Jeanne Sabourée, la fidanzata/Reynaud’s fiancée).
prod: Pathé Frères – S.C.A.G.L. [Société Cinématographique des Auteurs et des Gens de Lettres].
copia/copy: 35mm, 256 m., 12’29” (18 fps), col. (imbibito/tinted, Desmet process); did./titles: NLD.