10:00 am-8:00 pm - T. Verdi 1^st floor

FILMFAIR
Books and Journals, Collectibles and Ephemera, Old and New

9:00 am - Ridotto Teatro Verdi
PORTRAITS
OUR FAMILY ALBUM (US 2019)
Charles Musser, Threese Serana; DCP, 97’

9:00 am - WEIMAR SHORTS - Prog. 4
How To Be Modern
KIPHO [Film] (DE 1925)
Guido Seeber, Julius Pinschewer; 35mm, 4’
ZWISCHEN MARS UND ERDE [Between Mars and the Earth] (DE 1925)
F. Möhl; 35mm, 11’40’’
DIE FRANKFURTER KÜCHE [The Frankfurt Kitchen] (DE 1927)
Paul Wolff; DCP, 8’
DER RUNDFUNK AUF DEM LANDE [Radio in the Countryside] (DE 1928)
Svend Noldan; DCP, 5’31’’
UNSICHTBARE KRÄFTE [Invisible Powers] (DE 1928)
DCP, 12’09’’
DER VERKANNTE SCHATTEN [The Mistaken Shadow] (DE 1928-1929)
Hans Fischerkösen; DCP, 4’10’’
LUSTIGE HYGIENE 2 [Comical Hygiene 2] (DE 1926-1927)
35mm, 4’48’’
LUSTIGE HYGIENE 7 [Comical Hygiene 7] (DE 1930)
35mm, 7’

Pianoforte: Gabriel Thibaudeau

10:00 am - THE CANON REVISITED
JOAN THE WOMAN (US 1916)
Cecil B. DeMille; DCP, 148’

Pianoforte: Philip Carli

11:00 am - Ridotto Teatro Verdi
THE PORDENONE MASTERCLASSES

12:45 pm - REDISCOVERIES
THE GREAT GAMBLE (US 1919)
Chapter 2
Joseph A. Golden; DCP, 100’

Pianoforte: Neil Brand

1:00 pm - Ridotto Teatro Verdi
COLLEGIUM DIALOGUE 6
Films on Film: Silent Cinema Looks as Itself.
(English only)

2:30 pm - FILMS ON FILM - Prog. 4
Not Quite Hollywood: Britain and Canada
THE INVENTOR OF KINEMATOGRAPHY
(Gaumont Graphic No. 1059) (GB 1921)
35mm, 2’08’’
THE EVOLUTION OF THE FILM.
SIDELIGHTS ON CINEMA HISTORY. EPISODES 1-7
(Pathé Pictorial no. 534, 535, 540, 547, 548) (GB 1928)
Wilfred [Will] Day; 35mm, 17’30’’
ONE PICTURE IS WORTH A THOUSAND WORDS:
THE PLANT BEHIND THE PICTURES (The Plant) (CA 1920s)
DCP, 6’
[OPENING OF BRITISH INSTRUCTIONAL FILMS STUDIO] (GB 1928)
35mm, 3’04’’
SECRETS OF A WORLD INDUSTRY
THE MAKING OF CINEMATOGRAPH FILM
(Vanity Fair Pictorials, Issue 13) (GB 1922)
35mm, 7’49’’
AROUND THE TOWN AND EVERYWHERE:
BRITISH FILM STARS AND STUDIOS (GB 1921)
35mm, 2’30’’
RUNNING A CINEMA (GB 1921)
Dudley Buxton; 35mm, 6’30’’
MEET JACKIE COOGAN (GB 1924)
35mm, 11’
CUT IT OUT: A DAY IN THE LIFE OF A CENSOR (GB 1925)
Adrian Brunel; 35mm, 19’
WHAT’S WRONG WITH THE CINEMA? (GB 1925?)
Adrian Brunel?; 35mm, 4’

Pianoforte: Stephen Horne

4:00 pm - REDISCOVERIES
Desmet Collection
WHY PAPA CAN’T SLEEP (US 1896?, GB 1898?)
William K. L. Dickson?; 35mm, 53’’
MIXED IDENTITIES (US 1913)
William Humphrey; 35mm, 9’55’’
TWINS (US 1911)
Lois Weber, Phillips Smalley?, Edwin S. Porter?; DCP, 15’
HELLO SAILOR (US 1927)
Mark Sandrich; 35mm, 21’48’’
[PARIJSCHE REVUE ATTRACTIES NO. 1]
[Parisian Revue Attractions No. 1] (FR 1926)
35mm, 11’17’’

Pianoforte: John Sweeney

5:30 pm - WILLIAM S. HART
THE RETURN OF DRAW EGAN (US 1916)
William S. Hart; DCP, 52’

Score: Ari Fisher
Musical Accompaniment: Conservatorio Tartini di Trieste
Conductor: Peter Matošević

6:00 pm - Teatro Verdi 2^nd floor
INCONTRO FILMFAIR

“El Automóvil Gris”
by Enrique Rosas, 1919 (Cineteca Nacional México - Blu-ray, 2018)
A presentation by Josè Maria Serralde Ruiz
(English only)

"Theater-Kino-Varieté nella Prima guerra mondiale. L'industria dell'intrattenimento in una città al fronte: Trieste 1914-1918”
di Fabiana Licciardi (Edizioni Università di Trieste, 2019)
Alla presenza dell’autrice
(Italian only)

Wine tasting at the theatre's first floor offered by
Pitars, vigneti di famiglia in Friuli

8:30 pm - PREMIO JEAN MITRY
Award ceremony

to follow - EARLY CINEMA
Flipbooks
LA MÉPRISE (FR 189?)
56’’
[LE VOYEUR] (FR 189?)
57’’

ADVERTISING
DEN STUNDESLØSE [The Restless One] (NO 1927)
DCP, 5’53’’
REVYENS MESTER. BERNAU LAVER SOMMERREVY PÅ DET NYE TEATER
[The Master of the Revue. Bernau Produces the Summer Revue at the New Theatre] (NO 1929)
DCP, 5’26’’

RISCOPERTE/REDISCOVERIES
SALLY, IRENE AND MARY (US 1925)
Edmund Goulding; DCP, 76’

Musical accompaniment: Donald Sosin, Romano Todesco, Jim Hershman, Lorena Ruiz Trejo

10:30 pm - EARLY CINEMA
Flipbooks
LE COUCHER DE LA MARIÉE (LE DÉSHABILLÉ DE LA MARIÉE / LA TOILETTE DE LA MARIÉE) (FR 1898)
58’’
LE COUP DU PÈRE FRANÇOIS (FR 189?)
57’’

ADVERTISING
VASALOPPET [The Vasa Race] (SE 1923)
35mm, 8’30’’
TIEDEMANNS NATURFILM LOEN-KJENDALEN
[Tiedemann’s Nature Film: Loen-Kjendalen] (NO 1929)
DCP, 3’26’’

THE CANON REVISITED
GARDIENS DE PHARE (The Lighthouse Keepers) (FR 1929)
Jean Grémillon; 35mm, 82’

Pianoforte: Günter Buchwald